Analysis of Abbas Kiarostami’s Ten

Type :

Presentation

Pages :

4 pages

Format :

.doc

Published date :

06/30/2008

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Summary :

 
 

Table of Contents Analysis of Abbas Kiarostami’s Ten Table of Contents

 
  1. Abbas Kiarostami is no stranger to using a car in his films.
  2. Location.
  3. Camera Placement and Use.
  4. Reality and Fiction.
  5. Voyeurism.
  6. Kiarostami said that after making this movie he will never make another film using 35mm.

Abstract

A car may be the most inconvenient and difficult setting for a film. I made a sixteen-minute movie which took place almost entirely in a car, and I ended up at one point crying from the frustrations. The three actors and I didn't leave so much space left for the camera, and so the entire process was pretty claustrophobic. A car contains, it bottles up emotions, variation, and open-mindedness. ten (2002) is a film that works well because instead of combating these elements as I had done, it uses them instead. abbas kiarostami is no stranger to using a car in his films; as he says in ten On 10 (2004), it is his favorite location. But unlike his other films that have used a car extensively, ten takes place exclusively from within the car.

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About the author :

pencil image Benjamin C.  
Level :General public Study : Film studies School/University : Boston University

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