Ariels Levels of Consciousness
Summary :
Table of Contents
- Introduction
- Ariel's superhuman abilities
- His weak core self
- Prospero's relationship with Ariel
- Conclusion
- Works cited
Abstract
William Shakespeare's extensive investigation into social life in his earlier plays allowed him to instead focus on the more complex topic of human consciousness, which he pursues through magical inhuman characters, in his final play The Tempest. In his book The Feeling of What Happens, Antonio Damasio expresses the different states of consciousness and selves from the autonomic proto-self, to the constantly changing core self, to the memory-based autobiographical self, and finally to the far-reaching extended consciousness. Shakespeare investigates consciousness through his magical character ariel, who exhibits all the levels of consciousness to varying degrees. ariel's hyper active proto and extended consciousnesses allow him to control his shape and visibility and think of many creative ways to manipulate the other characters, but his core and autobiographical selves remain underdeveloped as they hinge on Prospero's motivations for his actions.
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