Breaking Through the Trappings of Stereotyped Femininity
Summary :
Table of Contents
- Introduction
- The expression of desire
- Mrs. Ratignolle as the epitome of what a woman is supposed to be
- The basis for Edna Pontellier's story
- Edna Pontellier's want to thrive as a human being
- Conclusion
- Works cited
Abstract
Edna Pontellier is a victim of the mother/whore duality, unable to escape the conditions of her culture that prevent her from being capable of self-actualization, and so walks into the ocean and never comes out again. This is the conclusion to Kate Chopin's novel The Awakening, in which she creates a character struggling to reinvent herself in the midst of oppressive expectation, to discover that such reinvention is impossible. It is easy to derive hopelessness from such a dismal ending, or a sense of moral redemption for Edna's sinful character (as many critics of her time did), but it is important that Chopin's readers instead consider how the story of Edna Pontellier lends itself to the larger discourse of and about women in a male-dominated society, as she both adheres to and strays from traditional depictions of women. It is through Edna Pontellier and the people in her elite sphere that Chopin makes room for dialogue about what women are up against in seeking liberation from male dominance by trying to level the playing field (sexually and otherwise).
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