Search and publish your papers
Our Guarantee
We guarantee quality.
Find out more!
Personalize Oboulo!
Oboulo gets a makeover!
Choose a color from the list below.

About the author

non
Level
General public
Study
others
School/University
CWU

About the document

Published date
04/13/2010
Language
documents in English
Format
Word
Type
term papers
Pages
3 pages
Level
General public
Accessed
0 times
Validated by
Committee Oboulo.com
0 Comment
Rate this document

Freedom and the self

  1. Introduction
  2. Foucault's description of power relations
  3. Foucault's bold claim
  4. The theme of power in the book
  5. Relations between people
  6. Foucault's true meaning behind power
  7. Conclusion
  8. Works cited

In Michel Foucault’s book Discipline and Punish, “The Body of the Condemned” is a section dedicated to the concept of power and its relationship to modern punishment, which focuses primarily on the soul of the criminal, a sharp contrast to the punishments aimed to inflict pain on the body centuries ago. Foucault describes power as the means by which the soul of the criminal is born via “punishment, supervision and constraint.” (29) It is for this reason he sees power as a tactic employed in order to achieve certain goals not limited to those aforementioned.

[...] This “exchange of power” is seen at multiple points in this section, and is even observed in another context from a description of power Foucault borrows from the historian Kantorowitz. This paper aims to reveal the extent of Foucault’s ambiguity and attempt to find a resolution within the reading. The theme of power is central to the entire book, almost certainly because Foucault sees power as the means by which discipline and punishment arise in the first place. The concept of power relations allows one to examine and study its roles in the penal system; by analysis of penal leniency as a technique of power, one might understand both how man, the soul, the normal or abnormal individual have come to duplicate crime as objects of penal intervention; and in what way a specific mode of subjection was able to give birth to man as an object of knowledge for a discourse with a ‘scientific’ status.” This line also brings up another important concept relevant to his discussion on power, and that is its relationship to knowledge. [...]


[...] Therefore the concept of this king’s body would merely be stating that the relationship of king to his subjects is where power truly lies, and not with the king’s body or his soul. Similarly applying this to the others who “inherited” the power to judge criminals, it simply means that the relationship between a psychiatrist or a psychologist and a criminal inherently possesses power, but the people themselves do not. If Foucault truly does see power as primarily a form of relations between people and objects of knowledge, then we cannot chastise him for seeing the potential of power to be transferred or possessed, for he does not mean it in a literal sense. [...]

...

Similar documents you may be interested in reading.

Self-awareness: The problem of the self in the work of Samuel Beckett

 Philosophy & literature   |  Literature   |  Presentation   |  09/10/2008   |   .doc   |   7 pages

«Introduction.. Questions in relation to the self-awareness of the characters.. Martin Esslin, in a chapter from The Theatre of the Absurd on Samuel Beckett.. The problem of having a sense of identity when we are not the same at any moment.. The difference between interpretation of self-awareness...»

«We find ourselves in some deeply existential quandary: a problem beyond inquiry or conclusion; a problem that extends into the void of time and space; that avoids the very title of "problem". We are confined to a box, in Endgame, we are on a dead tree stump off an abandoned road, in Godot, and we...»

The decline of tragedy: modern tragedy and the failure to commit to action

 Philosophy & literature   |  Literature   |  Case study   |  12/11/2012   |   .doc   |   7 pages

«Introduction. The decline of tragedy. Modern tragedy and the failure to commit to action. Analysis. Conclusion.»

«In The World as Will and Representation, Arthur Schopenhauer introduces tragedy as the most important form of literary art. Tragic heroes fight against forces of great opposition but eventually have to surrender to their fates. Tragedy is a reflection on reality as the audience reaches a moment of...»

Most rated for literature

The Search

 Philosophy & literature   |  Literature   |  School essay   |  08/28/2007   |   .doc   |   3 pages

«Introduction. Count Dracula and his three female vampires. The book Salem's Lot. The search for knowledge in Dracula and Salem's Lot. Anne Rice's book Interview With the Vampire. Conclusion.»

«Through the evolution of the vampire novel, the search for knowledge and information remains a unifying theme that characterizes the genre. In Bram Stoker's Dracula, Stephen King's Salem's Lot, and Anne Rice's Interview with the Vampire, this quest for understanding about vampires and their origin...»