Futurism’s musical eccentric: The instruments of Luigi Russolo and sound as art

Type :

Term papers

Pages :

7 pages

Format :

.doc

Published date :

05/05/2009

Category :

Arts & media

Sub category :

Arts and art history

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Summary :

Introduction
Michael Kirby and Russolo's futurist music manifesto
The instruments destroyed during WWII
Russolo's importance to the possibilities of sound art as art,
The fascinating points about the piece by Russolo
The Gracidatore
The instruments
Conclusion
Bibliography

Abstract

This paper will discuss the sound art works of luigi russolo, who was a member of the Italian Futurist art movement. The Futurists were a group of artists, some of whom like Marinetti, a founding member of the group, is associated with the Fascist movement in Italy. (Antliff, 2000) Though it seems difficult to understand how artists could associate themselves with totalitarian political movements, in the early decades of the 20th century it was not uncommon for artists to take extreme political positions, whether on the right or left of the political perspective. The Futurists were against democracy, thinking that art would be one of the ways to achieve liberation of the Italian people from rational politics. (Antliff, 2000) russolo's famous manifesto is called The art of Noises (L'arte dei Rumori), and following Futurist doctrine, emphasized the positive aspect of modernity, in particular mechanical and technological aspects that linked man in a symbiotic utopian relationship with industrial age machines.