Transparency, Opacity, and the Artistic Response to the Revolution

Arts & media   |   Arts and art history   |   Presentation   |   06/03/2008   |   .doc   |   3 pages
Document abstract : « no curtains any longer, and a strange darkness could be neither the light of day nor the light of the Nikita Firsov and even comforted him: his heart was not ...»

Synopsis abstract : «Transparency in The River Potudan takes the form of emptiness, translucency, and clarity.. But Nikita's trouble extends further than a trouble getting to know Lyuba more intimately.. When he returns to Lyuba, his surroundings are predictably more...»

The Pre-Raphaelite Sisterhood

Arts & media   |   Arts and art history   |   Presentation   |   01/13/2009   |   .doc   |   11 pages
Document abstract : « is thus placed in contrast with the darkness coming from reminds of WM Turner s play with light, water and same filial allegiance which is at the heart of the ...»

Synopsis abstract : «Introduction.. Sophie Anderson and Eleanor Fortescue Brickdale: Of children and virgins.. Waterfalls.. The composition of the painting.. A painting of a miniature woman.. The Wise and Foolish Virgins by Eleanor Fortescue Brickdale.. Strongly...»

Gender Inversion and Spectator Identity in Silence of the Lambs

Arts & media   |   Arts and art history   |   Presentation   |   02/09/2008   |   .doc   |   5 pages
Document abstract : « a brutish display of force and a cold hard heart, as required to kill As she fires, a bullet knocks open a window and light pours in, dispelling the darkness. ...»

Synopsis abstract : «Introduction. The eyes of the elusive Buffalo Bill killer . A typical slasher film. Jame Gumb as a character . The opening credits of the film . The recurring device used in the Silence of the Lambs . Clarice Starling's sexual i...»

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