Syncretism and identity: Finding I – Thou in historical dialogue
Synopsis abstract : «Introduction. Distinction between faiths and cultures. Meaning of anxiety, tension, and syncretism. Overview of Judaic roots against syncretism. Historic dialogical tensions in early Christianity. A brief study of modern Western missiology. Relating...»
Shakespeare's plays illustrated by Blake and Fuseli: The artists as critics
Synopsis abstract : «Introduction.. The supernatural and the world of nightmare.. William Blake, Hecate (1795).. Henry Fuseli, Garrick and Mrs. Pritchard in Macbeth (1812).. Henry Fuseli, The Three Witches (1783).. Henry Fuseli, Hamlet and the Ghost (1789).. The fairy...»
Lula and the myth of the Flying Dutchman: The play written by Amiri Baraka
Synopsis abstract : «Lula's symbolism as the stereotypical white conceptions of black men.. Lula's subversion of Clay.. Lula's fantasy and Clay.. The title in relation to the myth of the Flying Dutchman.....»
Fellini's Otto e mezzo
Synopsis abstract : «Introduction. The film Otto e mezzo. The times when Guido feels most pressured. The film's most somber daydream sequence. The way Fellini presents the artistic process. The film's longest fantasy scene . Specific themes and images . The character of...»
A room with a view: Narrating intersubjectivity in Mrs. Dalloway and To the Lighthouse
Synopsis abstract : «Introduction. Woolf's characters: Void of internal definition. Savage: Thinking of subjectivity as contained in one coherent, internally defined unit. Clarissa's inability to define herself in opposition to people. Subjectivity in Woolf. Woolf's...»
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