Weaving a Myth: Magnolia and the Psychology of Religion in Film
Summary :
Table of Contents
- Introduction
- The film Magnolia
- The 'personification' of pathological complexes
- A montage of pseudo historical events
- The first lead character: Frank TJ Mackey
- 'Seduce and Destroy' seminar footage
- The identification process exhibited by the character of Frank TJ Mackey
- The Future of an Illusion
- Freud's explanation and Magnolia
- The relationship between Mackey and Earl
- The character of Jim
- Jim's investigation of Claudia's house after a neighbor complained of noise
- Stanley's heroic exile
- The miraculous synchronicity that concludes Magnolia
- Conclusion
- Bibliography
Abstract
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